I think the stylised ensemble nature of this production is important because it’s all about Christopher’s take on the world. Frantic Assembly © 2020 Frantic Assembly is the operating name of Frantic Theatre Company Ltd, a Registered Charity, no 1113716. Frantic Assembly are the Movement Directors of the National Theatre's acclaimed production of The Curious Incident of the Dog in the Night-Time. It actually embraces a whole range of dynamic choreography. Their most notable production, in co-operation with The National Theatre, is The Curious … You know it’s interesting having taught plays at GCSE English the convention that underpinned the plays that used to be on the syllabus until about 3 years ago and on the syllabus while I was there; plays by people like Arthur Miller and Jamie Priestley, George Bernard Shore, Tennessee Williams. Because we’re dealing with a very particular mind, what Mark Haddon does brilliantly is take his reader into that mind. Explores Curious Incident of the Dog in the Night-Time (play) through engaging Frantic Assembly techniques and drama skills, alongside physical theatre activities. This has 2 advantages I think; 1 is that it means that the rehearsal room is innately, metabolically creative. Based on the novel by Mark Haddon. They represent his thoughts; they can be chaotic and they can be absolutely pure and linear and precise, whatever state of mind he is in. You can’t rehearse this play by following the stage directions and standing where George Bernard Shore tells you to stand, you have to bring yourself to it, and you have to bring your imagination. It can explode into dance, it just shows often what’s existing underneath; the aches, the desires, the needs that aren’t expressed verbally. I think physical theatre is a very dynamic way of exploring a subtext in any kind of context. You actually do something which is much more gestural. It’s a physical body in space and time. And so this production had to bring the audience into the mind of Christopher Boone, we had to see the world from his point of view. £4.00. ... One of the brilliant things about having Frantic Assembly on board was that they were able to bring some very pragmatic solutions to … It’s always helpful when a writer is prepared to be very ambitious, Simon really wanted that immediacy and economy that physicality could provide. You read those plays and the stage directions read like works of literature, they’re exquisitely poised stage directions. I knew that the boy playing Christopher would need to be a very physical actor and be able to express things physically in a way that he possibly can’t articulate verbally. Conditions. Tes Global Ltd is Co-founders Scott Graham (current Artistic Director) and Steven Hoggett have together created breath-taking and dynamic choreography to animate Christopher's world and share his singular viewpoint with the audience as he makes his way through Swindon to London. I think what you mean is that heightened physicality that Frantic Assembly brought to it. Includes edited script extracts, clear powerpoints and SOL overview. Members of The Curious Incident Creative Team discuss the importance of Physical Theatre in the show…. George Bernard Shore’s stage directions would be 3 pages of how the stage looks, he’s writing like a novelist. Registered as a company limited by guarantee in England and Wales no. I think if I prescribed “they carry Christopher and he walked horizontally across the wall” it would actually have killed it. For me the play script has the function of provoking thought in the rehearsal room. There is no right way of making The Curious Incident of the Dog in the Night-Time and I’ve been to schools and watched school kids respond to my play and bring their imagination and intelligence to it and make work which is radically different to what you see in the West End. Website by, A National Theatre Production. 2989694. He didn’t want to go into a whole world of exposition. Based on Mark Haddon's bestselling book and winner of 7 Olivier Awards including Best New Play, this stage adaptation by Simon Stephens has now finished doing a tour around the world including Asia, Australia, US and the UK. For me, that’s not an interest I have in making Theatre, for me the play script has a different function. The other advantage of that is that it can create a multiplicity of different productions. reviews. London WC1R 4HQ. registered in England (Company No 02017289) with its registered office at 26 Red Lion That means that you show things in a way that is physical rather than somebody actually walks through the door, or puts the key in the door and opens it, then puts the key on the side. This website and its content is subject to our Terms and Greek Myths and Legends COMPLETE SOW - Drama KS3, Zooming in to Nativity - A 10 minute socially distanced Xmas play script. Explores Curious Incident of the Dog in the Night-Time (play) through engaging Frantic Assembly techniques and drama skills, alongside physical theatre activities. Nothing really exists unless Christopher wants it to, so the company will be chaos, they will be flitting around until Christopher focuses then they will snap into position. An exploration of the themes of 'The Curious Incident of the Dog in the Night-Time' by Mark Haddon. The Curious Incident is a beautiful, eloquent show about the wonders of a life that initially seems hopelessly constrained. An actor on a stage is a physical phenomenon, even if they’re in the most conservative Am Dram production of a Noel Coward play. Includes edited script extracts, clear powerpoints and SOL overview. Adapted by Simon Stephens. I asked Steve (Hoggett) to get involved because I knew it would be very physical and we wanted to make it emotional and poetic and interesting without it being realistic. Complete 6-7 lesson SOL for Drama and/or practical based English. A remarkable performance from Luke Treadaway captures all the hero's zeal, obduracy and terror of tactile contact, and pins down behavioural qualities all of us, at some point, see in ourselves. I’ve got 2 contradictory answers to that, I would query this notion of “Physical Theatre” because for me, theatre is necessarily physical. Members of The Curious Incident of the Dog in the Night-Time Creative Team discuss the importance of Physical Theatre in the show. An Inspector Calls Revision: Standing out from the crowd. Square Complete 6-7 lesson SOL for Drama and/or practical based English. Scott Graham– Movement Director, Frantic Assembly. All I prescribed was the words that people spoke, and I left it up to the rehearsal room to decipher the way that they might be spoken. One of the brilliant things about having Frantic Assembly on board was that they were able to bring some very pragmatic solutions to some quite particular problems, such as getting from Swindon to Paddington train station. When you read the script, there isn’t much emphasis on it being physical theatre and yet when the play was directed, it’s an amazingly physical theatre experience. If you think of everyday life, people just sitting opposite each other talking, there are the words but there’s also the body language, and that’s just at a naturalistic level. How did that come about? Based on Mark Haddon's bestselling book and winner of 7 Olivier Awards including Best New Play, this stage adaptation by Simon Stephens has now finished doing a tour around the world including Asia, Australia, US and the UK. So I wanted a play script that was as much like a puzzle as anything else. It is a surprisingly difficult thing to achieve quite simple movements because they have to be very exact and it has to be properly thought out, it has to be on exactly the right beat. Frantic Assembly are the Movement Directors of the National Theatre's acclaimed production of The Curious Incident of the Dog in the Night-Time.

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